My heart was pounding as I stood in the shadowy wings of the University of Chicago’s theater. It was summer term, August, 1951, and the intermission for our student production of T.S. Eliot’s Murder in the Cathedral was nearly over.

I could hear the sound of the audience returning to their seats. Nervously, I tugged at my belted costume. The musty purple garment was unlined and scratchy.

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