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The Moral Dilemma at the Heart of ‘Black Panther’

Sterling K. Brown (N’Jobu): It was so good because it comes through on all the popcorn things that you would expect and anticipate from a Marvel film, but it also has a wonderful, thought-provoking social message that underlines the whole story.

Chadwick Boseman (T’Challa/Black Panther): Black Panther is a world leader. That’s a responsibility that other superheroes don’t typically have.

Danai Gurira (Okoye): Wakanda is the most technologically advance country on the planet.

Ryan Coogler, director: A big function of how Wakanda works is staying out of the spotlight, staying in the shadows.

Martin Freeman (Everett K. Ross): It’s the best-kept secret in the world.

Michael B. Jordan (Erik Killmonger): They have something the world wants.They have this natural resource that Wakanda thrives off of. They mine it, they use it in technology. It’s very sought after by anybody who’s ever come in contact with it.

Chadwick Boseman: Black Panther has to look out for an entire nation, and also consider that nation’s place and they affect the rest of the world.

(Dialogue)
T’Challa: It’s my responsibility to make sure that Wakanda does not fall into the hands of a person like you.

Lupita Nyong’o (Nakia): You get to decide what kind of king you are going to be.

T’Challa: What happens now determines what happens to the rest of the world.

The Miraculous True Story Behind ‘Thirteen Lives’

On Saturday, June 23, 2018, in northern Thailand, members of the Wild Boar soccer team and their coach went to explore the Tham Luang Nang Non Cave. It would be nearly three weeks before they emerged again. Now, the true story of the team’s miraculous rescue, and the inspirational story of the people behind it, is coming to the big screen in Ron Howard’s newest film, Thirteen Lives.

Early monsoon flooding trapped the boys, ages 11 to 16, and their 25-year-old coach, Ekkapol Ake Chanthawong, over 1.5 miles inside the caves. As people around the world watched coverage of the search, many doubted the team was alive. The Tham Luang cave network went deep into the mountain through a labyrinth of narrow passageways and small caves, many of them completely underwater due to the monsoons.

Rescue divers from around the world were called in to assist with the search, including British diver Richard “Rick” Stanton. As a former firefighter, search and rescue was a big part of his life. His love of cave diving started early.

Rick Stanton and Viggo Mortensen at premiere for Thirteen Lives true story of thai cave rescue
Rick Stanton and Viggo Mortensen (photo by Stewart Cook)    

“I was 18 years old and studying for my exams, when I saw a documentary about cave diving in England,” Rick told Guideposts. “Growing up, I watched Jacques Cousteau. I liked the water and diving. [The concept of cave diving] gave a direction to diving. It was a means to explore somewhere where no one had ever been before. That was an amazing new concept to me, and I realized that’s what I wanted to do.”

Rick, along with 12 other experienced cave divers, joined the Thai Navy SEALS in their search. Rick said he had worked closely—in some of the world’s most remote caves—with many of the other divers. “It’s not just the friendship, but the bonds you create doing something that can be dangerous,” he said.

Ten days into the search, Rick and British diver John Volanthen , discovered the boys and their coach inside the cave. They were all alive, but desperately in need of food, water, and air. As supplies went in, rescuers now faced the even more daunting task of getting the boys out. “We acted confidently in front of them,” Rick said. “John is a scout leader so he kept them motivated and assured them more people would come.”

They decided to heavily sedate the boys during the rescue, under the guidance of Australian diver Dr. Richard Harris, an anesthetist. While Rick did not feel very hopeful about the idea, he had an impressive level of pragmatic optimism about it. “The plan we presented had never been done before,” he said. “But I like to operate in the [thought] process of, ‘I couldn’t see a reason why it wouldn’t work.’ The reason we continued is because we knew it was the only option they had.”

The boys’ families stayed near the cave and prayed fervently throughout the rescue. Even if Rick’s hope faltered, his actions, and the actions of all the other volunteers and rescuers, kept the parents hopeful through it all.

Tanawat Viboonrungruang, the father of the youngest boy trapped in the cave, 11-year-old Chanin, told CNN, “Just think that all of these people are trying really hard to help us. We have to stay strong… They didn’t let fear take over. They stay hopeful because we are in it together from the first day to the last day.”

In total, over 5,000 people from seven different countries were a part of the cave rescue. Rick states that the entire process was truly a community effort. “Everything, from the [food] caterers, to the laundry people, to the people diverting water, the masses of military people, police, and specialist divers…” he said. “It was a huge amount of people all doing whatever they can.”

This is the story that director Ron Howard seeks to tell in his new film. Howard, who directed films like A Beautiful Mind and Apollo 13, is no stranger to telling true inspirational stories. “I wanted to be as journalistic as I could possibly be,” Howard says in a trailer for the film. “And one of the things I wanted to convey was: Thai people saved these boys.”

In the end, all 12 boys and their coach came out alive and reunited with their families. However, the mission was not without casualties. Saman Kunan, a former Thai Navy SEAL and experienced diver who volunteered to help in the rescue, died while trying to deliver oxygen to the boys. In 2019, Thai Navy SEAL Bayroot Pakbara died from a blood infection he contracted during the rescue.

Because of this loss, as well as the spirit and resilience of the Thai people during the rescue, director Ron Howard felt it was important to focus on how their tireless efforts were the heart of the story.

“The Thai people really accomplished a miracle,” Howard said, “and this movie is a really powerful case study in the anatomy of that miracle.”

For Rick, this impossible miracle happened one step at a time. “It’s all about those incremental steps,” he said. “If you take all the steps over a long period, then you can go a long way.”

Thirteen Lives stars Viggo Mortensen as Rick Stanton, Colin Farrell as John Volanthen, Joel Edgerton as Dr. Richard Harris, Weir Sukollawat Kanarot as Saman Kunan, and Thira “Aum” Chutikul as Thai Navy SEAL Capt. Arnont Sureewong. You can watch the true inspirational story on Prime Video starting August 5.

The Miraculous Rescue That Inspired ‘The Finest Hours’

On February 18th, 1952, a distress call came into a Massachusetts Coast Guard station. Not one, but two T2 oil tankers — the SS Fort Mercer and the SS Pendleton — had split in half off the coast of Cape Cod. Much of the Coast Guard’s fleet was sent to aid the Mercer. Four remaining servicemen were sent to save the lives of 33 men adrift in the Atlantic on the Pendleton’s stern. The Coast Guard’s daring rescue of those men is one of the most famous in its history.

Now, this heroic tale is being pulled up from the depths of history in Disney’s latest dramatic film, The Finest Hours. Chris Pine stars as Bernie Webber, the real-life Coast Guard service member who skippered that famed 1952 mission 64 years ago. The Finest Hours tells Webber’s story of courage and faith, based on the book of the same name, by author Michael Tougias.

“The rescue was so remarkable it bordered on the miraculous,” Tougias tells Guideposts.org.

Tougias spent four years researching and talking to the then three surviving members of the rescue crew, including Webber. He was a 24-year-old First Class officer when he and his team of three volunteers were sent out on the dangerous mission to rescue survivors of the SS Pendleton.

Tougias tells Guideposts.org that Webber believed the rescue to be a suicide mission– he was steering a 36-foot rescue boat into 60-foot waves and raging winds in the middle of the night in order to assist the sinking ship.

A man of faith and the son of a minister, Webber had seen failure and loss during his time in the Coast Guard.

A year and a half earlier, Webber led a rescue mission that ended in the loss of five fisherman and damaged Webber’s reputation among town members and his fellow service men.

“It always haunted him,” Tougias says of those fisherman who he wasn’t able to save. “He couldn’t let that happen again.”

So when the call came to assist the Pendleton, Webber went, in spite of his fear and the very-real risk to his life and the lives of his crew.

His first test was in crossing the Chatham Bar, a shallow stretch of sand where the storm’s monstrous waves were crashing onto shore. It took Webber three attempts, a stalled engine, a blown-out windshield and the loss of his compass before he was able to maneuver the tiny boat over the Bar. At one point, the vessel was completely submerged before breaking through the water.

Webber was left without a heading – radar wasn’t around at the time – or a way to contact his station.

Tougias said Webber’s faith guided him during the mission.

“Bernie said, ‘There had to be a higher power directing me because I didn’t know what I was doing out there. I was just groping around in the dark.’”

Webber made the decision to forge ahead, searching in the dead of night for the massive tanker. He discovered it only after hearing the groaning of steel on the ocean’s rock floor. He was then faced with another difficult decision. His rescue boat was only meant to hold 12 passengers, yet there were 33 men on board the sinking Pendleton. They scrambled down a Jacob’s ladder and jumped into the rolling waves in the hopes of making it on board the rescue boat. Too many men might sink the boat, but any left on the Pendleton would surely die.

Webber ended up cramming the 32 survivors plus his crew of four on board the lifeboat – one shipmate was sadly lost after being swept into the Pendleton’s hull – and braving the harsh seas again in order to make it back to land.

For Tougias, who had the privilege of getting to know Webber, a man he describes as “humble,” “modest” and the perfect representation of that famed “Greatest Generation,” the story of the SS Pendleton rescue is one he believes will inspire hope.

“Heroes aren’t born, they’re made,” Tougias says. “These guys are no different than most of us. They’re not fearless. Bernie was afraid. They just did their job, in spite of their fear.”

The Miraculous Rescue of a Sitcom Star

Richard Wayne “Dick” Van Dyke is best known for his groundbreaking 1960s TV sitcom, his roles in Mary Poppins, “Chitty Chitty Bang Bang” and Bye Bye Birdie, and as star of Diagnosis Murder.

In January, he received the Screen Actors Guild’s highest honor, the Life Achievement Award. He couldn’t help but remember the day his life was almost cut short.

Dick was an avid surfer when he was young. The way he tells it, one summer day he paddled out into the Atlantic to catch some waves on his 10-foot longboard. But the ocean was too calm. Lying flat on his board, the hot sun beating down and gentle swells rocking him, Dick grew sleepy. He dozed off.

A splash startled him. He looked around. Where was the shore? The current had pulled him out to sea! Panicked, he paddled. But which way? Then, another splash. Menacing, triangular fins circled him in the water. Sharks, Dick thought. I’m dead.

He braced for the inevitable. One of the creatures popped above the water. A stubby snout, smooth gray skin, gentle eyes—not sharks. Porpoises!

They swam behind the board and pushed it forward. Dick paddled furiously, following their urging without question. When his strength flagged, the porpoises nudged him on. Finally, Dick saw the beach in the distance.

Only when he was close enough to make it on his own did his finned friends turn tail and swim out to sea. Dick reached shore exhausted, but thankful.

Now, Dick is known as a jokester. But his close brush with death? He swears he’s not kidding around.

Download your FREE ebook, Mysterious Ways: 9 Inspiring Stories that Show Evidence of God’s Love and God’s Grace

The Miracle of Ben-Hur’s Chariot Race

EDITOR’S NOTE: Rick Hamlin and his wife, Carol Wallace, visited the movie set of Ben-Hur last year in Rome. Wallace is the great-great-granddaughter of Lew Wallace, author of the novel published in 1880. She recently published a contemporary version.

The chariot race in the new film of Ben-Hur is really terrific. And the most amazing thing about it is that the leading actors, Jack Huston, who plays Judah Ben-Hur (formerly the Charlton Heston part) and Toby Kebbell who plays his adversary in the race, Massala, did their own driving.

Imagine the challenge of standing in a chariot in costume and driving a team of four trained horses at top speed around a dusty track eight times–and many multiples of that to get the shots necessary for a visually arresting and believable horse race set at the time of Christ.

That’s what so impressive about it. It is intensely believable, probably because it was really happening. My wife, Carol, and I visited the set last year in Italy where they shot the race, and I can tell you the track looked to be just as big as the historic Circus Maximus in Rome.

Read More: How Lew Wallace Found Faith in Epic Fiction

As the producers conceded, one of the challenges of filming the chariot race today is that viewers will easily dismiss the close-calls drama as the work of Computer Generated Imagery or CGI, as it’s called. “They just faked it,” people will think.

Quite frankly, I am completely won over by most special effects, but I can tell when actors are faking it, and the excitement of watching the 15-minute long race was feeling the absorption of the actors. By their eye movements, their focus, the turn of their heads, their grip on the reins, you know they’re not on some Hollywood sound stage.

“We tried doing some shots without the horses,” Jack Huston says, where he was evidently pulled around by a truck with cameras rolling. “That didn’t work,” he added. He might have been holding the reins but he didn’t have four horses on the other end galloping at 40 miles an hour.

Both Jack and Toby had worked with horses before, but driving a chariot was something completely new for both of them. One of the challenges is making sure the right horse is in the right position. As Jack pointed out, “On the curves the horse on the inside is going to go a lot slower the one on the outside.” No spoiler alert here, but this is even a plot point in the film.

Watch a Trailer of Ben-Hur

In preparing the shoot, director Timur Bekmambetov watched a lot of YouTube footage of NASCAR races, familiarizing himself with the sort of shots a contemporary audience is used to seeing. I thought of that when in one brief sequence a horse flies off the track and tumbles into the crowd.

It’s reassuring to know that no horse was injured during the shot. These animals were treated humanely. The one accident that occurred during the shooting was when one of the drivers fell out of his chariot. A team of horses was right behind him and surely could have crushed him.

“But we watched them leap right over him,” said producer Duncan Henderson. “It was a miracle he wasn’t hurt badly.”

A miracle. Not a word that anyone in Hollywood tosses around lightly. The story of Ben-Hur includes several miracles, but for me one of the greatest pleasures of watching it was observing the craft of artists on both sides of the camera. It made me think it takes a miracle to get any story on film.

This one is well worth seeing. Especially those nail-biting 15 minutes.

‘The Middle’ Star Atticus Shaffer On Being A Role Model

It’s easy to love Atticus Shaffer. The actor, best known for playing the Heck family’s oddball youngest son Brick on ABC’s The Middle, is admittedly a lot like the quirky nerd he plays on TV. (Given the opportunity, he could spend hours detailing his passion for Legos, reciting war history facts or his musical tastes – which range from bluegrass-heavy Mumford and Sons and The Lumineers to Christian Rock bands like Skillet and Casting Crowns.) But while some might take issue with being labeled a geek, Shaffer loves what makes him different and is proud that fans can look to him and his character for inspiration when they feel they just don’t fit in.

“One of the biggest things about playing Brick is that he follows the beat of his own drum, which I do too,” Shaffer told Guideposts.org. “Brick is a role model character. He’s showing it’s okay to be smart and it’s okay to be unique and it’s okay to be quirky.”

Many have to suffer through high school before learning this lesson, but Shaffer picked it up at a very young age. The actor booked the role on his hit family-comedy back in 2009 when he was just 11 years old. The show, now in its sixth season, saw Shaffer working alongside TV legends like Patricia Heaton and Neil Flynn and being thrust into the limelight before he’d even reached his teens.

Now, at 16, Shaffer views the experience as an opportunity to be for millions of kids something he doesn’t remember having growing up: a Hollywood star worthy of looking up to.

“I remember when I was younger [thinking] ‘Why can’t there be better role models?’” Shaffer said. “You see all these reality shows that are on TV right now and it’s truly horrendous and what’s happening is people are tuning in and seeing that and they’re going ‘Oh, doing drugs and drinking before 21, yeah, that’s cool.’ That’s not what you’re supposed to do.”

When you let God take over, anything is possible.

Shaffer, who grew up in Southern California, credits his faith for keeping him so grounded. “I’m in the position that I’m in because I just let God take over,” Shaffer said of his success. “And when you let God take over, anything is possible. He just guides you to what’s specifically for you.”

One of the biggest blessings in the star’s life is something many would view as a roadblock. Shaffer has a genetic condition called Osteogenesis Imperfecta which is often described as brittle bone disease. The actor doesn’t like that label and explains that the condition – which usually results in growth stunts and easily fractured bones doesn’t keep him from doing any of the things a normal teenager would do.

“It’s a genetic condition that causes your bones to form at a later time,” Shaffer said of the diagnosis. “My bones are more fragile than another person’s bones and therefore I have to be more careful in certain situations. So, can I run around? Yes. Do I have to be careful about running around? If I fall do I have a chance of [my bones] breaking? Yes. It’s really just as simple as that.”

As easy-going as Shaffer is about his condition now, the actor admits there was a time when being born with a disease that many doctors don’t understand was challenging for him and his family.

“When I was born and going to a hospital that [wasn’t] familiar with O.I., they looked at my mom, shook her and said ‘You need to get a grip on the fact that your son is going to be in a wheel chair for the rest of his life,’” Shaffer admits.

“My mom, being the strong-willed Polish woman that she is, wouldn’t accept that. My mom and dad kept looking for the correct hospital that is familiar with O.I. and that hospital gave me opportunities to do everything and be as close to a normal person as I can be. I don’t like to say normal, because I’m not normal either, I’m just me.”

His condition has afforded the young star an even bigger opportunity to make a difference in people’s lives.

“That’s really a huge blessing on my life,” Shaffer said. “I’m able to be a role model in that regard as well. It’s awesome because it’s all God. It’s all God letting me know ‘Hey, I have a plan for you, this is where you’re gonna go.’ It’s amazing what I’ve been able to do and what I’ve been able to accomplish and even just the people I’ve been able to meet. I’m very blessed to be in the position I’m in and I never want to take it for granted because unfortunately this is a business where you’re kind of all over the place and there’s a bunch of different stuff that can go wrong.”

Shaffer hopes that by being open about his beliefs, he can inspire others to pursue their own dreams. “I want to be able to not only praise Him for what he’s done for me specifically, I want to give hope to other people for what they want to accomplish, whatever their dreams are,” the actor said. “I have been blessed and now I want to bless others.”

The Middle airs Wednesdays at 8 p.m. on ABC.

‘The Messengers’

Faith meets the supernatural in The CW’s newest drama, The Messengers. When a mysterious object plummets to Earth five strangers are gifted with extraordinary powers, from inexplicable strength to the ability to heal others. Most mysterious of all is a figure known only as The Man, who brings death and suffering wherever he appears. The wheels of Revelation have begun to turn, and these five newly christened Angels of the Apocalypse may be the only hope for preventing the impending Rapture.

Be sure to tune in for the series premiere, April 17th at 9 pm EDT.

The Matheny Manifesto

“I’ve always said I would coach only a team of orphans,” Mike said in his now famous manifesto, “because the biggest problem in youth sports today is the parents.” These words lit up the Twitterverse and led to a book. A sample of Mike’s wisdom:

Parents, step back. Baseball should be all about the kids. “It’s hard not to coach from the stands and yell things,” he wrote, “but trust me: Coaching and yelling works against their development and enjoyment.” Clapping is enough.

But be involved at home. Play catch, practice batting, hit ground balls in the backyard, like Mike’s dad did. Then entrust your kid to the coaches when you bring them to a game or practice. Get them there on time with their shirts tucked in and hats on straight— and no pants drooping to their knees.

Develop responsibility. Don’t stand behind the dugout asking your kid if he’s hungry or thirsty. Don’t run back and forth to the concession stand. Let your Little Leaguer take responsibility for his or her own water and snacks.

Every player hustles. “There is never an excuse for lack of hustle on a baseball field,” Mike wrote. “Players who don’t hustle and run out balls will not play.” No matter their level of talent, everyone can hustle.

Let them learn the inner game. Attitude, concentration and effort are three things that kids can control on and off the field, even sitting on the bench. “If they give me those three things every time they show up, they will have a great experience,” Mike wrote. Not just Little Leaguers either. “My wife was a college field hockey player and my daughter is a college ice hockey player. The Manifesto works for them too.”

Read Mike’s Guideposts story!

Cover of The Matheny Manifesto​Mike Matheny is the manager of the St. Louis Cardinals and author of The Matheny Manifesto: A Young Manager’s Old-School Views on Success in Sports and Life (2015, Crown Archetype).

The Many Sides to Branch Rickey

To convert the last-place Pittsburgh team into a pennant winner, Branch Rickey faces his toughest job in 50 years of baseball. The Pirates executive who has built winning teams at St. Louis and Brooklyn admits he has never worked harder, doctor’s warnings notwithstanding.

To him the passage, “In the sweat of thy face shalt thou earn thy bread” (Genesis 3:19), is more of a benediction than a penalty.

A working day for Rickey means endless personal consultations (press, players, friends) and long-distance calls. At the ball park he dictates comments on player performance to his personal assistant, Ken Blackburn.

A pitcher, warming up, can’t control his fast ball. Out comes the Rickey wallet. “This ten-spot is yours if you hit it with your fast ball,” Rickey tells him, placing the green bill on the ground in front of the catcher. The determined pitcher aims at the bill, throws above it by several feet.

“You see,” says Rickey, making his point, “to control your fast ball, you’ll have to aim it lower.”

A descendant of pioneers, Branch Wesley Rickey was born on a farm in Stockdale, Ohio. From his father, who had quite a reputation as a wrestler, Branch inherited his athletic ability.

“My father and mother never went to high school or college,” Rickey states. “What they had came out of a laboratory of testing Christ’s teachings.”

Rickey has never known anything but effort. He taught himself Latin and mathematics, worked at odd jobs to pay for his education at Ohio Wesleyan University. After graduation he played professional football, broke his leg, and then entered baseball as a catcher.

His big chance to play in the Major Leagues came with Cincinnati, but for reasons of personal conviction, he refused to play ball on Sunday. The baffled Cincinnati manager argued, finally released him. To this day, Rickey will not attend a baseball game on Sunday.

In Lucasville, Ohio, he met a girl named Jane Moulton, the daughter of a store proprietor; young Rickey proposed more than a hundred times before she accepted. The newlyweds scrimped through hard times, and Branch’s siege with tuberculosis, before he started his executive career in baseball with the St. Louis Browns.

Rickey has a deep respect, almost reverence, for women. When his peppery, 99 year-old mother-in-law, who loved to sing hymns, was on her deathbed, she and Mr. Rickey sang them together far into the night.

Much has been written about Branch Rickey, but only close associates and friends really know him. Bob Cobb, a close associate and President of the Hollywood Stars, tells of a camping trip in Colorado.

At night he, Branch and a few others were in sleeping bags “so close to the stars we could almost touch them,” Cobb said. “We talked about astronomy, then Branch started in on God and the universe. I’ll never forget it.”

At Amherst College last winter, during a discussion on ethics in sports, Rickey made this statement of belief:

“We’ve talked a lot about right and wrong. When you come down to it, though, what can we really believe? If I strip away all theories, philosophies and books on ethics, many of which are good, I always come to one basic belief … that Jesus was so perfect in His teaching and Life that I attribute to Him Divinity.”

Like any important figure who acts from convictions, Rickey is a target of critics, perhaps the more so because he does not lash back. He has to make decisions which are occasionally unpopular with fans and press. Yet he states:

“I would feel unworthy if adverse or unjustified criticism affected my decision or dulled the edge of my courage.”

The rich, booming Rickey personality can also explode unexpectedly. A political science teacher recently told him, “I want to be fair to other governments, so I expose the weaknesses of democracy and compare them to the strong points of Marxism and other political philosophies.”

Nonplused, Rickey asked him, “Can you quote the Preamble to the Constitution?”

The teacher said tie didn’t think all that was important.

For several moments the Pittsburgh General Manager eyed him with the famous Rickey scowl. Then in a rich voice, he began to repeat word for word, “We the people of the United States…”

Rickey hates disloyalty, deceit, hypocrisy, and demands honesty of his employees above all else. But he can be forgiving.

Last January he appeared as a witness in a Pittsburgh courtroom, where a man was facing jail for attempting to extort money from a Pittsburgh ball player. The prisoner was young, penitent, scared. Rickey eyed him intently, took the stand, and in a moving speech urged leniency. The young man was put on probation.

Rickey is most famous as a baseball pioneer. Seven years ago he paved the way for Jackie Robinson to become the first Negro to play in the Major Leagues. Many standard practices in baseball today (the farm system, sliding pits, etc.) are Rickey innovations.

During spring training last March at Fort Pierce, Florida, a reporter popped this question, “Mr. Rickey, you’ve been in baseball a long time. What has been your greatest thrill?”

Rickey was silent for a moment, looking at some 70 Pittsburgh players working out, many just kids, who with their great promise represented his hopes and dreams. The 72-year-old baseball executive, with his black hair and his bouncing energy, looked as young as any of them.

“My greatest thrill?” Rickey repeated. “It hasn’t come yet.”

For more inspiring stories, subscribe to Guideposts magazine.

The Lion King

I chose Penn State for its strong journalism program and award-winning daily student newspaper. And for something else I loved—football. A perennial national championship contender led by a legendary coach, Joe Paterno, no less.

I’m the granddaughter of a high school football coach, so I learned the game at an early age. Fall always meant watching our Bucks play under the big lights of the high school stadium in Dunmore, Pennsylvania. Hook and ladder. Flea flicker. Reverse. I tried to predict the plays before they were called. And I couldn’t wait to do the same rooting for the Nittany Lions in Beaver Stadium.

That would be the extent of my connection to Penn State football, I figured. After all I wasn’t on the team. I was one of 37,000 students on campus. I wouldn’t get to know Joe Paterno personally. Yet it didn’t take long for me to find out there was plenty I could learn from Coach Paterno, lessons that I still carry with me years after graduation.

It all started with the very first home game of my freshman year. Sitting in the student section in Beaver Stadium, I joined in the school cheer: “We are,” to which the rest of the 85,000 fans in the stadium yelled back, “Penn State!” The Blue Band marched on the field playing our fight song, the brassy notes echoing in the crisp fall air. I’ll never forget the explosive roar of the crowd as Coach Paterno sprinted from the tunnel onto the field, leading his Nittany Lions players. Not a stripe or insignia or—most notably—name on a uniform. Just plain navy jerseys and white pants. Boring, some complained. But I recalled Paterno’s explanation: “Amazing things can be accomplished when no one seeks the credit.” And I had to agree. It’s what’s on the inside that counts, I thought.

Paterno took his place on the sidelines, wearing a shirt and tie. He dressed more like a professor than a coach. Strangest of all, his pant legs were rolled up. Story goes that when he first started as head coach in 1966 he came home after games with the bottoms of his pant legs muddied. This frustrated his wife, Sue, who’d just had them dry-cleaned. So Joe had an idea: cuff the pants a couple of inches. Fans and the press took note of his “floods”—which made his white socks even more obvious. Not exactly a fashion statement. But it worked: a simple plan to achieve a goal.

Paterno is known to walk to work—he lives about a mile north of campus. One day during winter break of my sophomore year, my friend Laura and I were headed to the library when a guy walked by us.

“Hello, girls!” he said.

“Who was that?” asked Laura. The thick-lensed glasses, the shock of black hair sticking out from the hood of a navy-blue duffle coat. Coach Paterno, of course. He didn’t need to say a thing to us. But with those two words he made us feel like we counted.

Two years ago I went back to Penn State to meet up with my college friend Carolyn. We had dinner at our old hangout, The Diner. “I know what you want to do now,” she said. “Go see the statue, right?” Joe Paterno had just won game 324, making him the winningest coach in major college football. A seven-foot bronze statue had been erected to mark the achievement.

We trekked across campus, making our way past the Carnegie Building, where we’d worked on The Daily Collegian, then up the elm tree-lined mall to the library, right where I had come face-to-face with Coach Paterno my sophomore year.

“Look at this!” she exclaimed. The sleek addition to Pattee Library had been completed. We walked inside and were greeted by a painting of Joe and Sue Paterno. They had donated $250,000 toward the building of the addition. Carolyn, an English professor, was impressed. “More books! I like football even better now,” she laughed. The Paternos have also funded an interfaith campus spiritual center and endowed scholarships and faculty positions in the College of the Liberal Arts. An outsider might be surprised at an athletic coach funding academic programs. Then again, an outsider might not really know Joe Paterno.

We left Pattee and headed to the stadium. On the east side was an impressive sight: Joe Paterno, caught by the sculptor in mid-run, tie flapping, trousers cuffed. Just like on game day. Behind the statue were 36 bronze plaques showing the team’s schedule and score for each season Paterno had coached so far. But what really stood out were the words describing him: “Educator” was first, then “Coach.” They got that right. Joe Paterno championed academics over sports any day. If a player was doing okay class work, but not what Paterno thought was his best, he wouldn’t play. It is no wonder Coach and Mrs. Paterno wanted to put their legacy on the library and not, say, a new stadium.

My cousin Michael works in the athletic department at Ohio State University. When the Lions play the Buckeyes in Ohio, I make a trip to Columbus to cheer for my team—and to rib Michael. It rained and rained for our matchup in September 2000. Then, in the fourth quarter, a terrifying moment: Nittany cornerback Adam Taliaferro lay on the field motionless after a hard tackle. Trainers and doctors ran out, Paterno at their heels. The crowd grew unnervingly silent. Adam was lifted onto a stretcher and rushed to the hospital. We got news later that he was paralyzed from the neck down.

In the locker room after the game, Paterno led the team in prayer. Doctors feared Adam wouldn’t walk again. Paterno and his Lions didn’t want to believe that. From that game on, the team prayed for Adam, as hard as they practiced for the next opponent on the schedule.

Slowly, the cornerback regained use of his legs and arms. Paterno said he’ll always remember one beautiful September evening almost a year to the day after Adam was injured. That night the team’s prayers were answered: Adam led the team onto the field for the opener against Miami. For Joe Paterno, that was a win that meant more than the final score of any Penn State game.

Coach Paterno still says football is a part of life—not life itself. In his shirt and tie, he still looks like a college professor pacing the sidelines. All the things I learned about him when I first set foot on campus are true today, which should come as no surprise. He has always lived what he believed. It is this quality, so rare in sports, that has made him more than a great—maybe the greatest—college football coach. It’s the reason he never moved to the pros. It has made him what he most wanted to be— a teacher who touches the lives of students.

I wanted to study journalism at Penn State and root for a championship football team. Little did I know how much a part of that championship Coach Paterno would make me feel.

The Lightning Sonata

The concert hall is dark and still, all eyes on the lone figure at the center of the stage. The piano player. I creep up behind him, careful not to disturb the soft plink-plink of the keys. This melody he’s playing…it’s beautiful. Unlike anything I’ve ever heard before.

The closer I get, the more familiar the man becomes. I recognize him. The piano player is me. The music? It’s mine.

The same melody echoed in my head nearly 15 years later as I took my seat at the grand piano in front of hundreds at the Goodrich Theater in Oneonta, New York, my hometown. I could remember the notes as if I’d dreamed them up yesterday.

I had dreamed them up, in the dream that haunted me to this day. As did the literal bolt from the blue that started it all.

It was just an ordinary summer day. Not a cloud in the sky. I’d driven up to a lake in Athens, New York, that morning for my wife’s family reunion. The kids were splashing in the lake and I was grilling up burgers and hot dogs. What could be better?

My medical practice was booming, the family was happy. Life was good.

I slipped away to make a call to my mom on a pay phone by a lakeside pavilion, oblivious of the storm clouds on the horizon. The phone rang six, eight times. The wind kicked up. A woman and her daughter waited behind me.

I was about to hang up when boom! A bolt of lightning struck the pavilion, coursed through the receiver and shocked me square in the face with terrifying force, sending me flying 15 feet.

What happened next is a blur. It sounds nuts, but I was submerged in this hazy blue-white light. Like I’d fallen into a peaceful river. I could sense something overwhelming, powerful but loving. God? I wasn’t sure, but I never wanted to leave.

Fifteen minutes later, though, I awoke to a woman pumping my chest, jolting me back to life. The same woman who’d been standing behind me at the pay phone. She was an ICU nurse.

Three weeks later, I was back at work. My doctors had conducted all the routine neurological exams and concluded I was fine. Only something was off—way off.

I had this strange compulsion to listen to classical piano music. The kind that had put me to sleep as a kid the year my mom forced me to take piano lessons.

“I can’t explain it,” I confided to a doctor friend. “It’s like I crave it.”

This from a guy who’d spent the previous two decades roaring around on a Harley and blasting out the Rolling Stones. I bought a Chopin CD just to test the waters, feeling like an imposter in the classical section of the music store. But as soon as I played it, I was hooked.

I hummed to Chopin in the car, at work, even at the dinner table. When I wasn’t listening to the music, I was thinking about it. Obsessively. I was a practical guy, a doctor, not some New Age hippie who spent his time chasing ooey-ooey feelings from the great unknown.

Was I going crazy? Is that what the bolt of lightning had done?

It only got weirder. A week later, our babysitter stopped by. She was moving and needed a favor. “Dr. Cicoria, I have this old piano,” she said. “I can’t take it with me. Can you keep it for a while? A year, tops?”

As soon as we moved the piano into our house, the dream came—me in a concert hall, performing a sonata I’d somehow composed. Me, who had virtually no musical training.

It jolted me awake, the music still ringing in my head. I could hear whole chunks of it, like someone had downloaded a file directly into my brain. This was getting ridiculous. I buried my head in my pillow, but the notes begged and pleaded to come out.

Enough was enough. I tiptoed downstairs, sat at the creaky piano bench and tried to mimic the melody. The moment I plucked out a few soft notes it hit me. That same powerful sense of love and peace.

The lightning bolt had coursed through my body with a force that should have killed me, but instead, it had left something beautiful behind. That beauty wasn’t meant to stay inside my head. I knew nothing about composing, but I knew exactly what I had to do—follow that music.

That’s how I’d ended up in a real concert hall, after years of piano lessons and practicing into the wee hours of the night to release the music within.

A hush fell over the crowd. I couldn’t stop trembling—until my fingers finally found the keys and the music took over.

When I finished, I took a bow as the audience erupted into thunderous applause. All in response to the piece I’d composed—“The Lightning Sonata.”

Listen to Tony performing his music!

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